The final morning of the festival sees us welcomed by local favourites Where Oceans Burn. The band is growing from strength to strength and there are elements of grunge, tech-metal, and groove metal throughout.
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RADAR Festival is only in its third year, but already it’s attracting some massive names in the prog/tech scene. It’s also changed location this year from Guildford to Manchester, and a nightclub to a full-blown venue in O2 Victoria Warehouse. Eager and excited, we get our passes and make our way down to the press area. We eventually find it down in the basement of the adjacent building, and are immediately greeted by some familiar faces.
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It’s the final morning of the festival but we’re still ready for even more tech-metal. We’ve plenty of press logistics to work through this morning, but we make sure we don’t miss one of the bands we’ve been most eagerly awaiting, Karmanjakah. Having chatted and watched this young Swedish band at Sweden Rock (here) earlier this year, we knew what a special and perfect-for-Tech-Fest set they would produce.
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Despite everyone going hard on the Friday, there’s no lack of appetite for more tech-metal…and more drinking. We make our way to two interviews with Vexed (Here) and Harbinger (Here), before making our way to the stages to be met by the energetic Monasteries. They continue to offer us their unique take on experimental deathcore, which is deliciously vicious and ferocious.
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We wake up early, roll out of the tents and make our way to the press area to grab a coffee and prepare for a full day of live bands and interviews. We start the day with Cavekiller, complete with Hawaiian shirts, and Glower offering us some hardcore tinged metal.
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We’ve said it before and we’ll say it again - UK Tech-Fest is more than a festival, it’s a family and a community. That feel of returning to a place you know and people you care for when you pass through the entrance and pop your wristband on. It’s always been welcoming, inclusive, passionate and dedicated to its punters. Those who hold it dear often say the festival community has changed their lives, and it’s no understatement for many. It’s a celebratory yet sad edition this year though. Whilst we celebrate the 10th anniversary of the festival, it’s also been announced as the last UK Tech-Fest in this iteration.
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So, this is it. Damnation Festivals’ grand step up into the big league. And if you are going to move home then do it in style. Whilst we were in the end sixty-six sales shy of the blazing “sold out as fuck” sign, shifting 5,934 tickets (double the capacity for even the busiest previous Damnation) is phenomenal. And then there is the bill. A smorgasbord of special sets, UK exclusives, and representatives from every corner of the extreme metal world. The fact that the absence of billed headliner Ministry was a complete non-event, is kudos to the strength of the bill as a whole. In many ways (in terms of performance, crowd size and participation, and general buzz in the room) it felt distinctly like Pig Destroyer were headlining and everything else was building up to and away from them. But more about that later.
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There’ve been times that Slam Dunk looked like it may have shot its final 3-pointer, what with the date changes close to four times across the pandemic. But the determined promoters kept at it and managed to get the festival, together with a still fantastic line-up to the masses of Leeds and Hatfield. I’m off to the North date, and start by navigating the intricate shuttle bus queuing system in the centre of Leeds (have I just entered Alton towers?). Pleasingly I can see loads of people are ensuring they get there for opening at Slam Dunk 2021.
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