The level of respect and admiration within our world for cellist Jo Quail is frankly quite astonishing. Her midday appearance on main stage attracts a larger audience than any of the three headliners. The atmosphere is one of silent reverence, interspersed by an almost fanatical outburst of appreciation when she reaches the end of each of her three pieces.
Read MoreLast Hyena are another Bristolian outfit pulled into Arctangent's gravitational field. Their take on maths/post-rock is laid-back with an almost loungecore lethargy. There is no urgency at play here and to be honest, there does not need to be, they are the first band on and we have a whole day in front of us. Their proggy-like inclinations fit beautifully with their audience’s hung-over state. Very much music to do (a liquid) breakfast to.
Read MoreOne of the Arctangent's beauties is the way that the stages are scheduled. On one side of the site the Arc and Bixlar stages alternate, as do the Yokhai and PX3 stages on the other side. It's all exquisitely organised so that if you are suitably focused you can see around 15 bands in one day, without any clashes and without walking far at all. Our journey through Thursday starts with Traps on the PX3 stage.
Read MoreArctangent is very much the thinking person's metal festival. It's a wonderfully eclectic argumentation of all those "difficult" bands that operate at the fringes of our world. Every act and subgenre that your mainstream Maiden fan would considered as being "odd" is represented here this weekend. Compared to Bloodstock’s beer and amphetamines fuelled masses, this is a much more refined and even cerebral audience. This is not just metalheads with degrees, this is metalheads with doctorates and plethora’s of letters after their name.
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